giovedì, 27 marzo 2008

PARTITA FINALE...

Ce l'abbiamo fatta!
Habemus Francis...
FINALMENTE LE MIE SOFFERENZE SONO TERMINATE!
"PARTITA FINALE" E' DISPONIBILE IN LIBRERIA DA OGGI...


APRE UFFICIALMENTE LA CACCIA ALLA COPIA...!!!
(frase rubata ad un'altra adepta di Monsieur le Compte)
postato da: 34AF7KO2 alle ore marzo 27, 2008 14:22 | link | commenti (4)
categorie: i libri da non perdere
mercoledì, 26 marzo 2008

Francis Crawford di Lymond: l'ultimo eroe...

Questa è la traduzione del post pubblicato di seguito a questo.
Ovviamente l'ho fatta io, quindi apprezzatela ancora più più...

Per me non c'è eroe migliore nella fantascienza di Francis Crawford di Lymond, il cuore e l'anima di sei favolosi romanzi storici scritti dalla scozzese Dorothy Dunnett. Qui c'è qualcosa di ciò che io so di eroi romantici, e perché a mio parere è Lymond l'ultimo:

1)      Un eroe deve essere dotato:

Lymond è intelligente; articolato; ha un favoloso, mordace senso dell 'umorismo; è dotato di musica, poesia e lingue; ampia cultura; maestro del conflitto; bravo nei combattimenti; eccellente negli intrighi, un leader naturale; competente; coraggioso; bello fisicamente; ha un carismatico impatto su  tutti coloro che ruotano intorno a lui-l'ammirazione e il rispetto delle anime degne, odio e invidia dallr indegne. E’ dotato, egli lo sa e cerca di vivere fino a che la responsabilità si impone su di lui.

2) Anche se può apparire come una canaglia, un eroe deve essere un bel ragazzo:

Ora prima che cadiate dalle seie, lo dico! Lymond ha onore, integrità, compassione, generosità, la lealtà-gli attributi che contano. Anche se egli non da alcun peso a ciò che gli altri pensano o alla loro sofferenza, vive con i sui profondi valori nel miglior modo che può, soprattutto in circosanze molto difficili. Egli non è mai un ipocrita. A Lymond anche piacciono le donne con forme da donne, per la società, nonché per sesso e ama sua madre.

3) Un eroe è viziato e quindi umano:

Buon dolore, Lymond è viziato! Fisicamente ed emotivamente. Occasionalmente fa qualcosa di imperdonabile, soprattutto quando deve affrontare scelte impossibile, o quando è tentato o esasperato. Ma c’è un prezzo per il suo orgoglio ed egli agonizza per i suoi errori e nega se stesso anche quando ciò lo porta a contrastare i desideri del suo cuore e continua a provare.

4) E 'sexy, meraviglioso a letto. L'amante ideale appassionato, tenero, squisito:

Beh, ovviamente. Non è più necessario dire altro!

5) Un eroe è una sfida. Egli è così interessante che l'eroina (Philippa) cede volentieri  l'indipendenza per amore suo:

Lymond è complesso, impegnativo, multistrato, pieno di conflitti interni, e difficile da amare, ma ne vale la pena.

6) Un eroe “solleva i capelli sulla parte posteriore del collo”:

Un eroe riecheggia un archetipo e la conoscenza di quelli che sono gli anelli più nascosti dell’inconscio. Ha un numinoso potere. Egli offre la possibilità di un’unione mistica. È sia l'Altro sai il Se Stesso. Egli è santo e diabolico contemporaneamente. Fa percorrere di brividi la vostra colonna vertebrale. Ha su di lui il fascino che brilla attorno ad un primo amore. Egli ti riempie con nostalgia. E incarna un viaggio dell'anima.

Tentando di combinare il suo fascino eroico con  successo (un eroe deve essere imperfetto e quindi umano) Dorothy Dunnett rende il sudore del sangue e fa piangere lacrime di sale. È un viaggio dell'anima.

 

postato da: 34AF7KO2 alle ore marzo 26, 2008 15:15 | link | commenti (2)
categorie: i libri da non perdere

Jean Ross Ewing...

Francis Crawford of Lymond:

MY ULTIMATE HERO...

For me there is no better hero in fiction than Francis Crawford of Lymond, the heart and soul of six fabulous historical novels by Scottish author Dorothy Dunnett. Here's something of what I believe about romance heroes, and why in my opinion Lymond is the ultimate:

1) A hero must be gifted:

Lymond's intelligent; articulate; has a fabulous, biting sense of humor; is gifted in music, poetry and languages; widely read; master of conflict; good in a fight; excellent at intrigue; a natural leader; competent; brave; physically beautiful; has a charismatic impact on everyone around him-admiration and respect from the worthy souls, hatred and envy from the unworthy. He's gifted, he knows it and he tries to live up to the responsibility that imposes on him.

2) Though he may appear to be a rogue, a hero must be a nice guy:

Now before everyone falls off their chairs, I mean it! Lymond has honor, integrity, compassion, generosity, loyalty-the attributes that count. Though he doesn't give a damn what anyone else thinks and he doesn't suffer fools gladly, he lives by his own deepest values as best as he can, usually in very trying circumstances. He is never a hypocrite. Lymond also likes women-LIKES women, for company as well as sex-and he loves his mother.

3) A hero is flawed and therefore human:

Good grief, is Lymond flawed! Physically and emotionally. Occasionally he does something unforgivable, especially when he faces impossible choices, or when he's tempted or exasperated. But he pays a price for his hubris, he agonizes over his mistakes, he denies himself even when it costs him his heart's desire, and he keeps trying.

4) He's sexy, wonderful in bed. The ideal lover, passionate, tender, exquisite:

Well, of course. No more need be said!

5) A hero is a challenge. He's so interesting that the heroine willingly gives up her independence to love him:

Lymond is complex, challenging, multi-layered, full of internal conflict, and difficult to love, therefore worth it.

6) A hero raises the hairs on the back of your neck:

A hero echoes an archetype and a recognition of that rings somewhere deep in the unconscious. He has numinous power. He offers the chance for mystical union. He's both the Other and the Self. All that good Jungian stuff. This is why romance writers use language about fallen angels, devils, vampires, "woman wailing for her demon lover." He's holy and unholy. He sends shivers down your spine. He has the glamour on him that shone around your first love. He fills you with longing. He embodies a journey of the soul.

Lymond raises the hairs on the back of my neck. He sends shivers down my spine.

Attempting to combine this heroic glamour successfully with #3 (a hero must be flawed and therefore human) makes this romance writer sweat blood and weep salt tears. But it's why I write romance. It's a journey of the soul.

 

postato da: 34AF7KO2 alle ore marzo 26, 2008 14:42 | link | commenti
categorie: i libri da non perdere

PARTITA FINALE...

E' UFFICIALE!
Stando a quanto rivelato dalla
preziossissima e-mail di
INFINITE STORIE
"PARTITA FINALE"
,
attesissimo (da me e pochi altri) libro di Dorothy Dunnett
potrà essere nostro (ma soprattutto mio)
a partire da giovedì 27 Marzo 2008,
ovvero domani!
L'unica cosa che ci resta da fare, ora,
è sperare che sia il 27 Marzo di questa Era e non della prossima,
quando soltanto gli alieni potranno leggerlo...

"PARTITA FINALE": -1!
postato da: 34AF7KO2 alle ore marzo 26, 2008 14:08 | link | commenti (4)
categorie:
martedì, 25 marzo 2008

PARTITA FINALE...

Sul sito della Corbaccio ancora niente
(del resto me lo aspettavo...è una delle più importanti case editrici in Italia,
pubblica alcuni dei libri più belli, ma non gliene frega niente del lavoro che fanno e non hanno un minimo di predisposizione, o meglio, di educazione presso i lettori),
ibs non sa nemmeno di cosa si parla...
soltanto azetalibri e unilibro sembrano interessati alle nostre sofferenze,
ma insomma non sarebbe il caso di dire qualche cosa?
E' o no predisposta per il 27 Marzo la pubblicazione?
Sperandoci fino alla fine, posso dire solo una cosa:
visto che gli altri (gli interessati editori) se ne infischiano,
basterà aspettare fino a dopo domani...
Per il momento:

"Partita finale"
-2!
postato da: 34AF7KO2 alle ore marzo 25, 2008 12:23 | link | commenti
categorie:
lunedì, 24 marzo 2008

Un racconto...

"ADELAIDE E L'AMICO
CHE NON C'è"


  Avere una fervida immaginazione quando si è bambini può essere meravigliosamente utile a farti passare una bella giornata oppure nei temi di avventura, quando la maestra dice "Per domani voglio che raccontiate un vostro sogno..."
  A otto anni, Adelaider Plummer conosceva già a memoria tutte le tipologie di elfi nel salotto di sua nonna (una vecchietta visionaria e simpatica che amava raccontare storie buffe e collezionare statuine), aveva un fratellino piccolo, Thomas, che lei chiamava Frodo in onore del più famoso degli hobbit, ed un amico immaginario il cui nome derivava da un'antica creatura mitologica, ma che da sempre si rifiutava di pronunciare per paura di offenderlo o di irritarlo con una cattiva pronunicia...
  All'epoca, anche lui era un bambino, forse di qualche anno più qualche anno di più grande, un'età impossibile da stabilire dato che Adelaide non aveva mai avuto occhio per queste cose e che nessun altro, oltre a lei, sembrava in grado di vedere quel bimbo buffo e sorridente che sgambettava qua e là, arrampicandosi indisturbato sui mobili e sulle persone. Più di una volta, addirittura, proprio a causa di questa sua cecità, trovandola a parlare da sola con un vaso di fiori in cima ad una credenza, la mamma di Adelaide aveva pensato che sua figlia fosse pazza e che magari incontrare lo psicologo della scuola non le avrebbe fatto del male, ma poi, a lungo andare, il vaso di fiori era caduto e si era rotto e la mamma aveva dimenticato le sue preoccupazioni.

  Adelaide passava ogni ora del giorno e della notte in compagnia del suo amico immaginario. Dormiva con lui, parlava con lui, talvolta pretendeva che s apparecchiasse per lui e che lo si invitasse a mangiare con tutta la famiglia.
  I suoi genitori credevano che si trattasse solo di una fase nella vita della bambina e che, prima o poi, sarebbe passata...
  Poi, un giorno, Adelaide crebbe e l'amico immaginario divenne ragazzo e poi uomo...
  A poco a poco le sue visite divennero sempre meno frequenti, la ragazzina scoprì il mondo reale e dimenticò gli elfi e le fate...
  Il fratellino smise di essere Frodo ed iniziò ad andare a scuola...
  L'amico immaginario scomparve e per un po' non fu più nemmeno ricordo...
  Adelaide si era innamorata del mondo...

  Fu in una calda giornata di primavera, poi, quando andava ancora a scuola, che nella biblioteca della città dove viveva Adelaide incappò in un vecchio diario dalla copertina consunta, cercando tra vecchie cianfrusaglie alla ricerca di un manuale per un approfondimento sulla lezione di chimica.
  Lo aprì e lo osservò.
 
Al suo interno era strano: le pagine erano bianche o, forse è meglio dire erano state bianche, perché ora l'età le aveva ingiallite e spiegazzate qua e là.
 
Non c'erano scritte su di esse, solo una piccola intestazione scritta in fretta ed in una lingua senza senso nella prima...

<<...et rep è orbil otseuq,
assepicnirp aim al ies ehc et rep
otad iah im ativ allen ehc e
itrecsonoc id aioig al
ocima itresse id e.
>>

  Le parole erano poi seguite da un disegno dall'aria familiare, il disegno di una bambina che parlava da sé e che sembrava non necessitasse di una risposta. Era sola, insieme ad un libro, e nei suoi occhi le ombre formavano una sfumatura particolare, inquietante...
  Fu in quel momento che l'amico immaginario tornò a vivere...
postato da: 34AF7KO2 alle ore marzo 24, 2008 13:55 | link | commenti (4)
categorie: piccole storie

PARTITA FINALE...

-3!
Ed ci resta da aspettare solo oggi, domani, dopodomani...
postato da: 34AF7KO2 alle ore marzo 24, 2008 12:03 | link | commenti
categorie:
domenica, 23 marzo 2008

PARTITA FINALE...

-4!
postato da: 34AF7KO2 alle ore marzo 23, 2008 09:42 | link | commenti (3)
categorie:
sabato, 22 marzo 2008

TA-TARATTATTA-TA'

FINALMENTE!
Abbiamo una data!


Dopo una lunga odissea che lo dava per pubblicato,
prima per Novembre 2007, poi per Marzo 2008,
nei siti www.unilibro.it
e www.azetalibri.it
è stata finalmente resa pubblica la data di pubblicazione
di "PARTITA FINALE",
l'ultimo, attesissimo, atto tratto da:
"THE LYMOND CHRONICLES".
L'uscita è prevista per il 27 Marzo 2008
e, cioè, tra 5 giorni...
Comincia il conto alla rovescia...
Speriamo che questa sia la volta giusta...
postato da: 34AF7KO2 alle ore marzo 22, 2008 14:11 | link | commenti (3)
categorie:
giovedì, 20 marzo 2008

Aspettando "Partita finale"...

Checkmate

Part 1
Liepard laisse au ciel extend son oeil
Un aigle autour du soleil voyt s'esbatre.


Chapter 1
Quand ceux du pole arctiq unis ensemble
Et Orient grand effrayeur et crainte.


What the celebration at the castle had been, Austin Grey never discovered. He rode in to his tryst at the Tournai and found the inn ankle-deep in drunk burghers, thronging the common room and spilling out into the courtyard where inoffensive travellers like himself were attempting to sup their bread and mutton and chicory salad in the airless July dusk of Douai.
He avoided using his title. Money, and a steady, effective insistence, procured a room for him. There he removed the dust of his two days' journey through French-speaking Flanders from Calais.
He had meant to dine indoors, but the heat and the smells forced him down to the yard where he cut food as best he could, between the elbows of a wheezing book-pedlar and a talkative merchant from Antwerp, playfully intent on the bodice-strings of the serving-maids. A group of students somewhere under the gallery were hymning cuckoldry (co co co co dae) with an artistry worthy of a Magnificat; and a pair of fishmongers, locked in liquescent brotherhood, reeled up and sent his cup rolling. A black-eyed Piedmontese slid past, limping, with a dubbed duckwing cock churring under his elbow.
There was no sign so far of the man he had come to Flanders to rescue. Austin Grey sat, seemingly quite at his ease, expertly deflecting the attention aroused by his uncommon good looks and reviewed, without pleasure, the mission he owed to his uncle, of the English fortress at Guines, beside Calais.
'If Francis Crawford wishes to leave Western Europe,' irritably had said Lord Grey of Wilton, 'then it is England's duty to help him. Do you want him to lead the French armies into battle against us? Do you want him to go home to Scotland and encourage his countrymen to cross the Border and march into England? If he intends to go back to Russia, I for one will be happy to send him. You have his message. There is no doubt that it is authentic. Go to Douai and fetch him. You won't be in any danger. He's already thirty miles on the wrong side of the French frontier if he's got there. He'll be skulking, not you.'
And seeing the sleek, grey-bearded head turning to other business already-'You have considered,' had said Austin Grey gently, 'that this may be a French trap?'
And his uncle, an irascible but by no means unjust man, had laid down his pen. 'This I can tell you. If anyone else here were able to recognize Crawford of Lymond or be recognized by him, I should send him in your place. But I really cannot see any man laying an ambush for you at Douai, with Pembroke and the whole English army to one side of him and King Philip at Valenciennes on the other.
'We are invading France, Austin; and this man, if he stayed in France, could be a danger to us. It is enough to know that the French will not lightly release him, and that he has turned to us for help.
'You dislike him,' had said Lord Grey, folding his hands and raising the combed grey beard at his nephew. 'You cannot possibly dislike him as much as I have reason to do. But you will go to Douai. You will tell no one your mission; and you will take the most excellent care that no one discovers that Crawford has crossed into Flanders. For much as I esteem our lady Queen's husband, I should prefer King Philip of Spain to win this war and those after it with the distinguished commanders he has, and without the services of your much-sought-after gentleman at Douai.'
But the man best known briefly as Lymond had not come to Douai, and now the torches were fit and full night had fallen. Also, as the tavern trestles were cleared and pushed together to form a square-walled platform, the presence of the duckwing was abruptly accounted for.
The fatherless only son of a despot and the last of a long line of soldiers, Austin Grey, Marquis of Allendale, had been compelled as a boy to witness altogether too many cockfights. He rose, intent on leaving the courtyard, and halted.
In front of him, blocking his way, stood the Italian he had already observed in the Piedmontese bonnet. In either hand this time the man held a linen bag within which something live struggled and grumbled. He smiled, displaying a swollen, broken-toothed mouth and reaching across, hooked both bags into place on the wall behind Austin's shoulders and stood back, arms akimbo, regarding him. 'You wish to lay a wager, monsieur?'
He was a travelling cock-master, and there would be others with him. Austin said, also in French, 'Later. Just now I wish to hear the singers.'
'Les Amis de Rabelais? We had them last year. They perform at the castle. Four students from Montpellier, monsieur.'
He knew that already, having been struck half-way through his meal by the quality of the singing, close as a toothcomb. All Calais spoke of them. The cocker said, 'But being English, monsieur, the words maybe escape you?'
His French was good but not good enough, apparently, to pass him off as native. They were singing Je fille quant Dieu with the Swiss countertenor, silk in the weave, in the girl's part. Austin said, 'Thank you. I know both meanings of quenouille,' and made smiling to pass.
The cocker stood aside. 'Saucy, yes? And the Battle of Marignon?
Ah!' And raising a mellifluous tenor he warbled:

'Soyez hardis, en joye mis,
Chascun s'asaisonne,
La fleur de lys,
Fleur de hault pris
Y est en personne.
Suivez Francoys . . ."


He broke off, grinning, to a chorus of drunken hissing and catcalls.
Follow Francis. Austin Grey stared at the Italian cocker and the cocker, grinning, addressed him in perfect English. 'Go and hear the singers, Lord Allendale. That is where you will find him.'
He went and heard the singers: four young men in breech hose and buff jerkins led by solid Hunno, the bass: Andreas, the lank, pale-headed Saxon tenor, Oswald of Basle, baritone, brown, energetic and cheerful; and auburn-haired Hilary from the eastern cantons whose ragged moustache and bleeding cheek told of the violent and continuing battle to defend his virility.
From behind the moustache emerged the delicious head-voice of a eunuch, while the three others chanted, with the force and precision of wire-weavers:

La plus belle de la ville, c'est moy
La plus belle de la ville, c'est moy
Non est
Sy est
Non est
Sy est
Non est, non est, je vous jure ma foy
Non est, non est, je vous jure ma foy . . .


Then someone shouted a pleasantry and the next moment Hilary had leaped straight into the thick of the crowd, followed protesting by his three colleagues striving to restrain him. Deafened and buffeted, Austin was standing, searching in vain for his quarry, when Francis Crawford made himself known, as a quick, amused voice in the m?l?e. 'Faith has a fair name, but falsheid faris bettir. In your room, after the cockfight.'
But when Grey twisted round, there was no one behind him that he recognized.
He would have gone to his room then and there, but the Piedmontese cocker waylaid him. 'You heard him? Till then, you're to stay in the courtyard.'
'Who are you?' said Austin Grey
He had wound a filthy scarf round the torn mouth, but you could tell the dark face was grinning. 'A friend. Did you not see who he was?'
'He spoke from behind. No,' said Austin.
'The counter-tenor. There he is, at the cock platform. Go and watch. But do not speak to him,' said the cocker; and grinning, made off through the crowd.
Austin gazed at his back. Then he forced his way with extreme firmness to the mat-covered platform of trestles.
Les Amis de Rabelais were there, vociferously proclaiming their bets from the opposite side of the platform. And there, visibly battered, his fists full of livres and sols and deniers, was Hilary of the tousled red hair, bouncing with glee like a clown on a clock spring.
It couldn't be. This half-fledged, ebullient Graindor could never be the man who controlled armies in Russia; whose skill in war was so celebrated that Lord Grey was prepared to take any risk to help him leave France; and even to keep him out of the hands of his allies.
And yet . . . Take away the moustache, and the hair, and you had a man nearer thirty than twenty; whose eyes had seen more than the frets of a lute and the inside of a medical college, and who had learned lessons other than his praxis and chirugia and theoria.
It was Francis Crawford of Lymond. He drummed his fists on the ledge, and talked and quarrelled and shrieked with his friends, casting no single glance in Austin's direction. But Austin, all through the fight, watched him silently.
It was not, he thought, acting. Most men of war delighted in cock fighting. Socrates had drawn from it an example of valour; the sons of the Emperor Severus had been brought to watch it daily before being sent to reduce England. And Themistocles had braced his army to vanquish the Persians with the same analogy: Behold: these do not fight for their household gods, for the monuments of their ancestors, for glory, for liberty or the safety of their children; but only because the one will not give way to the other. In Christian lands, to give one's cocks strength, one fed them filched bread from the altar-table.
Austin continued to watch. The docked birds dashed to each other and remained beak to beak, each shaved serpent neck straining upwards. Then came the familiar, blustering rattle as of a masterless sail in a whirlwind. Beating, gnawing and striking the cocks sprang from the mat, wrung together, and the red-haired student screeched and shot his arms over his head, half concussing a dyer and knocking a barber's hat over his face like a chafing dish.
Then the birds dropped, in a fury of warm, gouting blood and black feathers, and Austin saw that the birchen grey, a big eight-pound fowl, had a spur sunk up to the hilt in its enemy's neck, and the fight was already over.
He would have gone then to his room, but the crowd behind held him stapled fast to his place. They took the dead bird out for the pot, and the owner, his beaming face red in the torchlight, lifted the victor tenderly in his thick hands and with his tongue began searching its injuries.
Soon, stinking with curative urine, it would take a pat of sweet rosemary butter and be put to stove in the straw of its sweating basket. It had been fortunate. He had seen a fight between two wounded cocks last a couple of hours, even though the spurs were cut smooth and sharp with a penknife. As the ancients had said: in their raging pride, indifferent to pain and injury, they would fight to the end of their powers.
Looking through the eyes of the man opposite you could, he supposed, see a barbaric magnificence in it. You could admire the quick, graceful movements of the bird they now put on the mat, with its tight glossy plumage and muscular thighs; brilliant yellow on shoulder and saddle. Or the sprightly strut of its black and red adversary, the polled head darting and glinting; the spurs growing low and wicked and curved on the white and sinewy legs.
They liked to fight, it was said. It was their instinct. They would seek battle regardless of the presence of man, and would pine if denied it. And here, in the darting bodies, the sparring, the dodging, the high, rustling flirts when with beak, foot and spur, bird grappled with bird, there was strength and fire and a most unflinching valour for men to admire and emulate.
Half an hour went by of the struggle. By the end of it the golden fowl, slashed and impaled, was sorely beaten, but continued steadily to attack its superb and untouched antagonist.
Then it weakened. In silence among the screaming spectators Austin Grey watched the tired legs beginning to tremble; the beak to open; the tongue to palpitate. One barred yellow wing trailed on the mat and when, in the flurries, it sought to grip with its beak, the rich red wings of its foe beat it down, and the other's strong spurs struck again and again, at its head, its throat or its neck, or the place in its back where, sinking through, the sharpened point would spear through its vitals.
Austin had laid no wagers. But when, in one such bustle, the golden cock struck to the head and against all expectation, the bigger bird disengaged and dropped aside, staggering, he was glad; as if he and not the duckwing had been suffering. Then he saw what the chance blow had done. The black-breasted red had lost the use of its eyes.
Silence fell. The yellow bird, its abdomen slit, was almost vanquished. It moved as if drunk, toppling first on its breast and then on its ragged docked tail and you could see sweat, like citrines, on the torn feathers. It lay, red eyes glaring its challenge.
And the red, strong still, trod forward groping in darkness and found and gripped the fallen bird with its beak. Then, beating down its cut wings, it attacked and went on attacking its enemy's body.
It should have been the end. The yellow bird twitched and raised its stained head. It lifted itself, shivering. It stood, and might have fallen. Instead, in a single magic explosion of courage and anger, it hurled forward the naked head and caught the blinded red foe by the throat. Then springing high in the air, the yellow cock brought down its spurs in a stroke no living bird could have fended.
The black-breasted red toppled and lay, in the jumping, glistening stream of its blood. And the yellow stepped on its back, and moved its one wing, and throwing back its gored head, crowed in triumph.
Courage, of a noble and humbling order. Courage of the brute, subject to neither reason nor discipline. Courage which could inspire emulation or greed, or brutality. What were they celebrating now, these bellowing figures about him, but a win against odds, and the making or losing of money?
Opposite him, the red-haired student had won his wager. The others had thrown him in the air and he descended upside down, in a rain of silver, attempting through hiccoughing laughter to semaphore to himself a serving of Auxerrois.
It was easy now to get away from the mat. Austin Grey turned, his face unsmiling, and ran up the gallery stairs to his chamber.

postato da: 34AF7KO2 alle ore marzo 20, 2008 14:48 | link | commenti
categorie:

Chi sono

Utente: 34AF7KO2
Nome: Michela Bianconi
'Soyez hardis, en joye mis, Chascun s'asaisonne, La fleur de lys, Fleur de hault pris Y est en personne. Suivez Francoys . . ."

Partecipano

Foto recenti

Bottoni

  • Contattami
  • Il mio profilo
  • Linkami


  • Powered by Splinder

Contatore

visitato *loading* volte